箫、笛演奏家及造箫家谭宝硕，自幼学笛，师承岭南派一脉，后更广泛研习南北各派的吹奏风格，其洞箫技法，则综合了传统和现代手法，形成自己独特的风格。一九八七年，谭氏研究制造出低音洞箫，其后制造出定调洞箫系列，一九九三年，制造出一支在中国音乐史上最大的洞箫，多年来致力于洞箫演奏及制作的研究，对洞箫艺术贡献良多，备受音乐界人士好评。谭氏致力音乐教育，曾先后在中文大学、香港音专、梁式芝书院及香港演艺学院出任中乐导师，一九九七年至二○○二年，出任香港学校音乐节评判。一九七七年，谭氏的作品《运河欢歌》入选为广东省优秀创作器乐曲，近年创作有《云门夜雨》等超过三十首的音乐作品。谭氏亦从事写作·著有《笛子技法》及散文集《叶落天地间》。
TAM Po-shek
TAM Po-shek started to learn the dizi since he was a child and was the follower of Lingnan School. Later he began to extensively research the performing styles of different schools both from south and north of China. He developed his special character of performing the xiao as a result of integrating the traditional and modern techniques. In 1987, he produced a series of xiao which ranged from bass to alto as his researching result. In 1993, he produced the biggest xiao in China’s music history. During all these years, he has dedicated himself to studying the performing techniques of xiao and making the instrument. He has continually broadened the expressive force of it and has contributed a lot to the art of xiao, which has won him favorable comments from people of all circles. He is dedicated to music education as well. On the invitation of the universities and organizations, he has held music lectures for many times. From 1997 to 2002, he has served as the adjudicator for Hong Kong School Music Festival. He also pays attention to composing. In 1977, his work Happy Song of the Canal was honored to be the excellent instrumental piece of Guangdong Province. He is engaged in writing in the mean time. He has written columns for many newspapers. His works include Techniques of Dizi and prose collection Leaves Falling in the Universe.